The Inverness Press

Welcome!  I hope you enjoy my blog, and please do leave a comment or two.  I love getting feedback.  For my regular blog, please simply scroll down.  To read some of my short stories and excerpts from my novels, please visit my other blog  Under Loch and Key.

Posted in Blog Business, Kingdom Come, Short Stories and Samples, Writing | 3 Comments

Interview With Karen Booth

Karen Booth is a Midwestern girl transplanted in the South, raised on 80s music, Judy Blume, and the films of John Hughes. Her lifelong preoccupation with Rock ‘n’ Roll led her to spend her twenties working her way from intern to executive in the music industry. Much of her writing revolves around the world of backstage passes and band dynamics.

When she isn’t creating fictional musicians, she’s listening to everything from old-school Cheap Trick to Duran Duran to Superchunk with her kids, honing her Southern cooking skills (she makes some mean collards), or sweet-talking her astoundingly supportive husband into whipping up a batch of cocktails.

1.       As a Midwestern girl transplanted to the south, if someone greets you with “How are you?” do you actually answer them? Or do you just say “Fine, how are you?”

I treat it as a question, so I always answer and always ask the question in return. One thing about living in the south, your manners improve. Even if it’s just a façade, people are almost always exceptionally polite. Not to say that Midwesterners don’t have good manners, but I’d say they’re less generous with pleasantries until they get to know you. Then it’s all over—you’re getting an invitation for the neighborhood potluck, whether you want it or not.

2.       If money was not a concern, how many pairs of shoes would you own?

As much as I like to shop for and look at shoes, I’m not a fan of conspicuous consumption. I actually had to start my shoe collection from scratch four years ago when we lost our house to a fire. Losing everything changes your attitude toward material things. They just don’t mean as much to me anymore. So, to answer your question, if I had to live with the shoes I already own for the rest of my life, I could do it. Granted, I have the most kick-ass pair of Coach lace-up boots ever—black suede, 4” wood wedge heel in dark green. Mmm. They would help to soften the blow.

3.       Your Pinterest page has some gorgeous images! Have you tried any of the gardening ideas you’ve pinned?

I haven’t had a chance to try any of the gardening projects. I’m really into succulents, they’re the perfect mix of architectural and organic, so I would love to try one of the living wall art projects. The DIY cement planters look really cool too. I just need to carve out the time to do it.

4.       What was life like when you were in the music biz?

Almost always awesome. I was nineteen when I got the internship that eventually led to my first music industry job—it was the greatest thing ever. I got to listen to music at work and it was part of my job to stay up late and see bands and drink beer and hang out with cute rock boys. I had the good fortune to live in two significant U.S. music scenes at pivotal times—Minneapolis during the era of Soul Asylum, The Replacements, The Jayhawks, and Husker Du. Then I moved to Chapel Hill right when Superchunk was starting up and the scene went on to spawn an unbelievable array of bands—Archers of Loaf, Polvo, Squirrel Nut Zippers. It was all very exciting, but there were ups and downs. It will break your heart to truly believe in a band and watch them not get the recognition they deserve. That was the case more often than not. Witnessing the disappointment was the hardest part. Still, I love the world where I get to go backstage and be a VIP. I still get to do it every now and then and I love every minute of it.

5.       How did your obsession with Duran Duran begin?

It started in high school, as all adolescent girl obsessions began at that time—courtesy of MTV. I fell for the whole package…the music, the image, John Taylor, the videos. Did I mention John Taylor? Anyway, all of my friends were into them and it was just what we did…live, eat, breathe Duran Duran. None of my friends had John as their favorite member. I think I would have had to stop being friends with anyone who thought she could claim him for herself. I’m better about sharing now. I admit that I fell off the bandwagon for a bit in my late twenties and early thirties, but I am so back on the Duran Duran bandwagon, it’s ridiculous.

6.       What was your path to publication?

I had absolutely no clue what I was doing when I wrote my first novel, Bring Me Back. I just started writing one day, fully expecting to write twenty pages and quit. Instead, I became obsessed and stopped eating and sleeping for the most part. I’m not exaggerating—I often wrote at 3 am and I lost 30 pounds.

Of course, I thought for sure that Bring Me Back would be my first published book, that the very first agent I queried would adore it. How could anyone not love my baby? Well, not so much. I queried 89 agents and 5 publishers. I got loads of flat-out rejections and the others were a mix of helpful feedback and manuscript requests. A few rejections were so awesome that I would read them over and over again. That’s how pathetic you get when you’re querying.

In the meantime, my critique partner, Karen Stivali, had contracted a novella with Ellora’s Cave after going through a similar querying process with her first novel, Meant To Be (out this August—look for it!). Karen and I had long discussed co-authoring a book, so we wrote Long-Distance Lovers, which was eventually contracted and published by Ellora’s Cave. I have since contracted two more novellas with Ellora’s Cave and Bring Me Back was contracted with Turquoise Morning Press, due to come out in January (yay!).

The Two Karens

7.       What was your writing process when you collaborated with Karen Stivali on Long Distance Lovers?

Karen and I talk every day over IM, so we did much of our work that way. We brainstormed the main story in about twenty-five minutes. It was uncanny the way we had very similar characters in mind without even discussing it ahead of time. We knew we wanted to write dual POV, so she took Tim’s character and I took Jenna’s. As petite and feminine as Karen Stivali is, she’s very in-tune with the male brain, much more so than I am. We mapped out the scenes, decided who would take which ones, and we were off to the races. When we were done writing our scenes, we traded for edits and then we would revise.

8.       Do you have a cover and a release date for Love My Way?

I do have a cover for Love My Way, but no release date yet. Hopefully late June or early July. That will be my first solo-authored novella and I’m super excited about it. It stars Katie, a photographer who had her heart stomped on, and Peter, a hunky rock star with a sweet and slightly nerdy side. He makes me melt just thinking about him.

9.       Besides Love My Way, you also have a story coming out in the anthology Foreign Affairs from Turquoise Morning Press. How do you juggle promoting releases so close together?

Excellent question—I have no earthly idea! The anthology will be easier because you have other authors for brainstorming, everyone with their own set of connections. A single-author release means you have to not only steer the ship, you have to keep the ship actually moving forward. I expect it to be trial by fire.

10.   Do you have rules for how steamy you write your sex scenes?

I don’t have rules, I try to let the characters dictate it. I certainly try to push myself into new realms of steaminess if possible, but I usually know when it isn’t right for the scene or the story. I have a novella titled For Keeps coming out with Ellora’s Cave this fall. It’s an older woman/younger man story and at first, Cooper, my male main character, was extremely vocal in the bedroom. Much more of a dirty talker than any other guy I’ve written. I kept going with it, but then he fell so head over heels in love with my female main character, Allie, that I had to dial it back a bit. Not sure if I was forcing it or if I just didn’t know his character well enough. That’s the genius part of revisions—anything can be changed.

11.   What is the most memorable (or disturbing) thing Tiffany Reisz has ever tweeted?

Wow—I could write a whole book on the memorable and disturbing things that Tiffany has tweeted. Yesterday, she tweeted something to do with speculum play. Everything Tiffany says is cute or clever or filthy and I adore her for it.

12.   When you decided to contribute to Felt Tips, did a story come to mind right away?

It did, which almost never happens. That’s what made it so much fun. I wrote my rough draft in two hours on the day before Thanksgiving. I’d seen Tiffany tweet about the anthology and the mention of office supplies brought up memories of a friend who said the smell of a mimeograph machine turned her on. I’d just read an article about Mad Men, which is one of my favorite shows, so that gave me the time period and setting. After that, I thought about the role of women in the workplace in the 50s and 60s. Their sexuality was one of the few powers they had, which says a lot about our society at the time. My main character, Kathy, is young and naïve, but she finds a way to use her sexuality to her best advantage.

13.   Have you ever been surprised when meeting another writer at a conference when you’d only known them on-line before?

I attended the RT Conference in April and I met tons of other writers whom I had previously only known on Twitter. The biggest thing I noticed was how exceptionally warm and friendly everyone was. I have yet to meet any writers in romance or women’s fiction who seem to have much ego wrapped up in it, which is so nice.

14.   What social media do you use? Do you combine your personal and professional or keep them separate?

In terms of writing, I focus on Twitter. I’ve really gotten into Pinterest, but it’s not as social, it’s more a means of making a visual statement about yourself and what you do. I’m very visual, so I embrace the idea, but I know it’s not for everyone. I have two Facebook accounts, one personal and one private, but that gets to be a pain—trying to keep one side of your life separate from the other. I don’t tend to do it very well.

15.   What is your ideal writing environment? Have you ever been able to create it?

My home office is a pretty damn ideal writing environment. I have a big desk, French doors, tall windows that look out over the garden. I really couldn’t ask for anything more. Maybe a seatbelt to keep me in my chair.

16.   How do you find or make time for writing?

I get up at five every morning so that I can have at least one hour of uninterrupted writing time. I also manage a few hours late morning and early afternoon before my kids get home from school. My other “job” is as a handbag designer/maker, so I work from home, and juggling the two things seems to work pretty well, but I have to be disciplined about it.

17.   What is your favorite electronic or digital writing tool?

I have a Mac Book Pro that my hubby gave me for my birthday last year. I don’t need much more than that. I don’t use Scrivener or any of the dictation tools out there. As long as I have MS Word and access to the internet for research, I’m good.

18.   What is your favorite non-electronic writing tool?

I am a very big fan of pencils—they even play an important role in my Felt Tips story. There’s something extremely satisfying about printing out a manuscript and doing edits with pencil. I like the sound of the pencil on paper. I even like my handwriting better in pencil.

19.   What is the most persistent distraction from writing?

Twitter! It’s way too much fun. Oh, and You Tube. Every music video or live performance you would ever want to see at your fingertips? A clip of John Taylor walking a llama around a parking lot in Brazil while wearing a sombrero? Yes! It’s dangerous.

20.   Who shot first, Han or Greedo?

I had to put some serious thought into this one (and go back and re-watch the original scene). I think Han shot first. Yeah, he’s hunky and cute and deep down a total softie, but when it comes to business, he’s a total badass.

The shortlink to this post is http://wp.me/p1qnT4-MH

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If I’m Getting Ahead, Why Am I Behinder Than I Was?

Me and Charlene.

Today (read “today” as “since my last long sleep mode”… it is now 2:30 am but I can’t technically consider midnight to be the separator of one day from another) I knocked out not just one but three sets of interview questions! Usually I do interview questions on a Sunday, then send them off and hope to get answers by Thursday. I put quite a bit of thought and energy into these. Although I have a list of standard questions that I reuse, I make sure to research each and every interviewee so that I can make a list of relevant topics for each one.

I’m getting ahead on interviews because I don’t want to worry about them during June when I’m doing the Star Trek: Phase II shoot of Bread and Savagery. I purposely chose several authors who are either pre-pub’d or who only have a couple stories released. I love these people… they can be so fascinating! And they also make for easier interviews, since I don’t have to look at a huge body of work while composing questions.

I like to tie up all loose ends and get as many of the little things out of the way as possible before I work on a big project. The problem is, sometimes I find so many little things that absolutely demand my attention that I never actually start the big project. With the Trek shoot, I have a lot of other people carrying me along. I can’t procrastinate it. I’m either ready, or everything goes on around me and sweeps me along. But with my WIP (The Sojourner’s Guide to the Galaxy) I can procrastinate it as long as my heart desires.

This is bad. I know that I come from a long and proud tradition of people who don’t finish what they started, and I fight against this every day of my life. It’s true that my most productive writing happens when I’m able to get rid of distractions, taking care of all the little stuff in advance. However that’s a luxury I can’t always afford. I can try to make larger chunks of time for writing, but I can’t count on it.

So… for today’s ROW80 update:

All goals are going well! I’m definitely doing “something writing related” every day, even though that isn’t always my WIP. This round is for tying up loose ends before the Trek shoot, and that’s exactly what I’m doing.

The shortlink to this post is http://wp.me/p1qnT4-MC

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SciFi Q of the Day: Multiple Moons

SciFi Question of the Day: How careful do I have to be in my descriptions if I say the planet where my story is set has 3 moons? Can I say things like “All three moons were visible at dusk…” frequently, or would that be a rare phenomenon?

Facebook Answers:

  Elizabeth Sykas-Ringgenberg a rare phenomenon – that might be considered predictive of some good/bad event…

  Heather Leigh Cameron maybe if the moons were at different stages in the cycle it might be realistic?

  Eden Mabee It would depend on a lot of factors, but in general, I agree with Elizabeth. It could happen, but to get them all appearing in the sky in similar degrees of fullness would be one of those “prophecy” moments

  Gwendolyn Wilkins Being the little pagan that I am, I can tell you that a full moon rises at sunset, is at zenith at midnight and sets at sunrise. A new moon rises at sunrise, is at zenith at noon and sets at sunset. A waning moon rises after sunset and a waxing moon before sunset.

To have all three moons at the exact same phase at the same time would indeed be rare, but they could certainly be within a fairly decent range of phases and still be visible at dusk.

  Daniel Beard Actually Heather, they would have to be within a half cycle to be in the sky at the same time. otherwise they would be on the wrong side of the planet. Example (assuming standard Keplerian orbits, and not being massively out of the Ecliptic) you could see on a flat plane a full moon directly above you, and each of the quarter moons on the horizons, one to the east, and it’s opposite to the west. But you could not see a full moon and two opposite crecents at the same time for one of them would be under the horizon.

  Daniel Beard and what phase they are in depends on how long their day is. one could have a day of 20 days, one of 28 days, and one of 50 days. They will line up, every 700 days (planet days, not moon days). Actually, I should change that. It would not be how long their day is, it would be how long their Year is. Was just thinking about our moon whose day and year are the same duration. (called being Tidally Locked)

  AmyBeth Fredricksen Would they all orbit in the same plane?

  Daniel Beard no

  Daniel Beard just look at our solar system, every planet (except ours, thank you very much) is slightly out of the Ecliptic (I can never spell that right, thank you Wikipedia). but they could, especially if you wanted to go with an engineered system, or just go with the “I said it was so” excuse. Hell, they don’t even have to be stable orbits, just look at Phobos, gonna crash into Mars. Not soon, but within a couple million years.

  James Lucius Not to mention (at least potentially), massive tidal effects if they were all full and in the sky at the same time.

  AmyBeth Fredricksen Ooh… I could have a scene in one of the stories where they were experiencing some odd tidal stuff, and vaguely say it’s because of the moons, but not go into detail (which would lead people to dispute my science… but just saying “Yeah. Weird tides. It’s a moon thing.” isn’t very disputable :)

  Daniel Beard or at 90 or 180 to each other, as well as the system primary (this is a single star system?)

  AmyBeth Fredricksen Yes, it’s a single star system.

  Daniel Beard these are called the Neap and Spring tides here

  Daniel Beard Could be all sorts of interesting, I see the building of tidal walls and dikes as being a high art form for civilizations near water. which is most major cities.

  James Lucius Or a Venice type of affair, with canals to guide and control the water flow.

  James Lucius Not to mention class divisions involving how far away from the beach, (and therefore how high up) you live.

Google Plus Comments:

  Nes Anderson  considering our own solar system, id say 3 moons is lowballing it :p

Of course, it seems moons are less common toward the inner system than the outer system..
Both Saturn and Jupiter have over 60 moons… Uranus has 27 according to wikipedia..
Mars has 2, we have one…
Their orbital velocities and periods of visibility are all random, so it would be fairly easy to have a planet with 3 visible moons.

  Jocelyn Kelly  How rare would it be that the 3 moons are visible on any given night? How might you compare seeing the 3 moons to how we see our 1 moon?

  Nykki B  At some point in the past I had found an online calculator that would take your world calendar and all satellites and, given the periods of each, calculated a calendar including full/ half/ new phases, eclipses, etc. I will have to see if I can find it again.

  AmyBeth Inverness  Nykki… that would be cool!

  Thomas Sanjurjo  Not only should you be concerned with which moons are visible, but what phase they are in also. You could paint faces in the sky with them. They could also eclipse one another, depending on their color they could give tint to each other, one could be pocked like our moon, while another could be gaseous.

  Eden Mabee  Nes makes a good point about the number of moons decreasing as we get out of the solar system. However, it’s been discovered that we actually have several natural satellites here on Earth as well. They just aren’t normally visible due to size.

Another thing to consider …and I’m not going to spend too much energy dealing with any of Veilokovsky’s theories (you all can read what little literature is out there and decide what you think on your own), but IF there is any chance that those theories are correct, then all those moons of Jupiter are actually “young worlds” that were ejected from the gas giant and had not managed to escape its orbit. So now we have the possibility of those moon potentially being worlds as developed as the one you might be living on.

Perhaps your society is actually living on a MOON and not on a planet, but they don’t know that yet. It matters little for the actual story. However, it certainly would set a very different pattern to the orbits of the celestial bodies.

  Thomas Sanjurjo  I’ve considered that for story telling as well, +Eden Mabee. There are some theories that the magnetic field of Jupiter (a failed star itself, just a few planets short of enough critical mass) might be ‘warm’ enough for the moons to be habitable.

  AmyBeth Inverness  I think I’m going to keep the moon details vague. Its main importance is making it obvious early in each book that this is NOT Earth.

  Eden Mabee  Understood, +AmyBeth Inverness, just noting all this stuff because it’s good to think about it. If you’re writing a science fiction story about a society that intends a trip to their moon, only to find that they are actually on the satellite, it’s literally a restructuring of the society. I mean, look at the number of people who still doubt we ever reached our own moon right now…. Look at astrology and many kinds of divination…. A lot of accepted beliefs will have been recently challenged in this world, or are in the middle of being challenged.

There is the potential for a LOT of cool story ideas here.

  Christopher Clark  But only one sun?

  Thomas Sanjurjo  I’d say for your particular concern, +AmyBeth Inverness, make sure the moons are named, and that the names hold some deep, cultural significance to the narrator / character. The worst thing you could do would be to just say, “two of the three moons…” it would be much better to say, “Aurora and Denara danced across the summer eve…” and follow that up with a statement about how beautiful the satellites are.

  AmyBeth Inverness  Good point about naming them… I’d been thinking of “The big one, and the two little ones” but names make much more sense, and I love making up names!

  Eden Mabee  Your names can even “mean” the big one, the little one, etc… (though in any realistic world, it’s likely there would be some kind of mythology involving them).

  Thomas Sanjurjo  With issues like this I default to Hemingway’s iceberg theory.

http://en.wikipedia.org/wiki/Iceberg_Theory

So much more can be said by naming them, giving them a descriptive characteristic, and then ignoring them as common knowledge.

  Thomas Sanjurjo  LOL, I just had an image of one moon eating another Pacman style. Now there’s some mythos for you!

  AmyBeth Inverness  This particular planet is a human colony that has only been around for about 300 of their years (almost 400 Earth years) The original colonists were well aware of all the details of the solar system long before they settled on the planet.

Oh and yes… only one sun.

  Thomas Sanjurjo    Eh, that’s still a few generations of children’s tales, unless they are a really staid society, which would still be telling.

  Tiffany Marshall  It would be interesting to have a triple lunar eclipse during the story though! I wonder what that would do to the tides?

  AmyBeth Inverness  This particular planet is the setting for a series of loosely related stories. (SciFi Romance) so I don’t want to say that the moons did something weird in one story, then the exact same weird thing happened in the next story. I need to develop a good idea about what is normal and regularly occurring before I mention more than the barest detail.

  Eden Mabee  +AmyBeth Inverness I have to wonder if these people will have fully mapped out what is “normal” for this system if, as you note, they have only been here 400 years. As Thomas notes, there could easily be 700 years between all three being seen in the night sky close enough to all be visible at sunset…

Perhaps THAT sort of thing could also be part of the story?

  AmyBeth Inverness  Yes! There are some anomalies, most notably the historical fact that the colonial starship crashed about a week after arriving in orbit, and 300 years later they still don’t know why. Maybe I’ll blame it on the moons? Maybe I’ll have more than 3 moons… hmmm…

  Eden MabeeYesterday 11:10 AM

Please forgive me for wondering about that… 300 years and they still don’t know why. Is this meant to be a science fiction version of the Grassy Knoll where people are still wondering about how JFK was really killed?I mean, yes, this CAN happen, and it works well enough, especially if you write it that way, but keep in mind that the more advanced your society is the fewer things hidden you can justify….even feasible ones, since we base our expectations on what we can do and what we “think” we can do and then we extrapolate forward for science fiction.

  AmyBeth Inverness  Good question +Eden Mabee . In the story (It’s backstory really, and not necessarily extrapolated on) The colony ship left Mars where they’d been doing all their gathering and planning, just like many other colonies did. They knew where they were going. I never say whether they “found” the planet, or whether previous generations terraformed it.

The ship arrives in orbit, and the colonists begin shuttling down with various construction equipment. Many people remain on board or shuttle back and forth because this was all part of the plan… to get there, and begin building a very well-thought-out starter-city. There’s no rush.

Then something goes wrong, and the ship’s orbit rapidly decays. They gain and lose control over and over. So at first, they think they can fix it. As they realize they can’t, colonists take to the escape pods.

After the crash, there is a small pocket of people at the site where they planned their initial city, but it’s an island (Like Hawaii… large enough for many farms) and cut off from the main land. There are many small groups of people across the planet, wherever the escape pods landed, who have to survive. Those who are able congregate at the crash site, trying to save what they can.

Very important to the plot is the fact that there is no Starfleet that comes swooping to the rescue. There is an alliance of sorts, but nothing that is able to help this brand-new colony that is weeks out of the way of any major transport line.

So instead of a well-planned city with all the resources they need, there are scattered colonists desperate to survive, with only a portion of the resources they need. Even though they desperately want to know why the disaster happened, they have to put their energy into survival. They don’t have the ability to do the necessary investigation, and even generations later it remains the planet’s biggest mystery.

  Eden Mabee  I wrote a big long “brain bubble” about this yesterday. I’ll have to send it to you later. Not right now…

However, it sounds to me like they should have records somewhere about what they have observed…

Afterthought… I think more than three moons is a great idea… names? How about Bester, Bradbury, Riley, Clifton, Blish, Miller…

I would love to hear what you think! Even if you are reading this post a year or more after publishing, I hope you will leave a comment with your own ideas on this topic.

The previous SciFi Q of the Day is Cloning Tesla

The shortlink for this post is http://wp.me/p1qnT4-LT

The next SciFi Q of the Day will be up next Tuesday.

Posted in SciFi Q of the Day | Tagged , | 3 Comments

Figure Out What Works, Then Change It

Yeah. That wasn’t supposed to make sense. But how often in life do find ourselves doing something for odd, convoluted reasons that just don’t seem to make sense?

Like my current sleep schedule. Which is largely shared by my 4yo.

I could turn this into a Mommy-Blog-Post about how frustrating it can be to establish a regular sleep pattern for your kids. Suffice it to say, it is frustrating. And in the end, we found something that works for us, even though it isn’t exactly normal.

I’ve always been a night owl. I don’t stay up partying, I stay up and enjoy the quiet after everyone else has gone to sleep. When I worked the swing shift back in the nineties, I loved it! I’d get off work at ten or eleven at night, go hang out with friends for a while, then off to bed. At other times in my life, I’ve had different schedules.

Whatever works.

Right now, what works is for hubby to take our 4yo up to bed around 11:00. I stay up for a few more hours, which is when I have my best writing time. Hubby gets up fairly early in the morning and drops the 13yo off at school before he goes to work. Our little one and I usually sleep until at least 10:00.

It’s hard to admit that I usually sleep so late. But this is what works for us. At least for now…

This morning we went to the Memorial Day Parade, which we do every year. This year was even more special because we rode on the church’s float. For me, getting up at what most people would consider to be a “reasonable hour” is like getting up in the wee hours of the morning.

I found what works. But then I had to change it…

I was going to take a nap this afternoon. But hubby took the 4yo upstairs, and I was busy at the computer… I decided to skip it.

But now I can’t keep my eyes open, so nap it is.

The shortlink for this post is http://wp.me/p1qnT4-Mt

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Interview With Homer Hickam

Homer Hickam is probably best known for his classic memoir Rocket Boys which was made into the 1999 movie October Sky.  He is also a bestselling and award-winning author of more than a dozen other books including his military history Torpedo Junction and his popular “Josh Thurlow” World War II series that began with The Keeper’s Son.  He is a decorated Vietnam combat veteran, a scuba instructor, an avid amateur paleontologist (which explains his novel The Dinosaur Hunter), and loves reading, his wife, and cats (which explains his mini-memoir Paco: The Cat Who Meowed in Space).  He is also an engineer who designed rockets for the U.S. Army Missile Command and trained astronauts for NASA. He is the recipient of Alabama’s Distinguished Service Award for his underwater rescue work, was picked to carry the Olympic torch during the Atlanta games, and selected for many other honors.  Most of all, he loves to write which is what he does for a living.

1.       How has the world of publishing changed from an author’s point of view since you published your first piece?

There have been five huge changes, four of them related, since Torpedo Junction was published in 1989.

(1) First was the successful war against independent book stores by the chains in the 1990′s.  Few indies survived the onslaught by Barnes & Noble, Borders, and Books-a-Million.  This meant many midstream writers lost their venues as the chains focused on a few best-selling authors.

(2) Next came the rise of the Internet which put vast quantities of reading material in the hands of readers, material that came from everywhere including individuals with no ties to the publishing or news industry and largely out of the hands of the bookstores.

(3) The Internet sparked the emergence of e-books.

(4) The Internet and e-books combined to devastate the chain bookstores.

(5)  The publishing gatekeepers, meaning the big New York publishers, became weaker, the cracks in their empire just now becoming evident. Amazon.com began to exponentially increase in importance.

Prediction for the future:  Independent bookstores will rise from the ashes of the chains.  The big New York publishers will attempt to survive by merging but will eventually totter and fall.  Smaller, nimbler publishers will rise to take their place.  Amazon will keep getting bigger until a smarter, more user-friendly version starts competing.

2.       What kinds of social media do you use? How early did you adopt them?

I use Facebook and Twitter.  I’ve been seriously on FB for about 3 years, Twitter for about 2.  They are excellent marketing tools but nothing as yet beats being on television.

3.       Of all the stories you’ve written, which is your favorite?

I think Sky of Stone.  Overshadowed by Rocket Boys, it is the third in my memoir series and sadly overlooked by most readers.  It was an intricate mystery that took all my skill as a writer to pull off.  It should have won the Pulitzer.

4.       I cry easily… how many boxes of tissues will I need to read your memoir The Cat Who Meowed In Space?

Maybe just one.  Paco: The Cat Who Meowed in Space is a memoir not only of my marvelous and magic cat Paco but also of my early days working for NASA.  Ultimately, it’s a story of triumph for a fluffy black and white cat and a sick astronaut.

5.       What was the process that took Rocket Boys to the big screen?

It was a most peculiar process.  The book was optioned before I’d finished writing it!  Universal Studios bought it based on an outline I did (called a treatment in Hollywood) and filming started well before publication.  That’s one of the reasons why the film is so different from the book in many important respects.  I tried to revise the screenplay to more closely track the memoir and succeeded somewhat but not entirely.  The new musical is entirely based on the book.

6.       What was it like seeing your work performed as a musical?

Surreal, just as it was to see it in the form of a movie. However, as a writer, I can take a step back and objectively look at the manner in which these very different art forms are applied to my work. There are many things I admire about the movie October Sky.  Of course, I admire the musical because I helped write the stageplay.

7.       With such an impressive list of works, how many people do you have around you to handle all the details like maintaining the website and communicating with all your fans?

One, my wife Linda who answers all the fan mail, publishes our newsletters, and even maintains an online Homer Hickam bookstore!

8.       What are the worst conditions under which you’ve ever had to write?

Noise and physical discomfort don’t bother me much when I write. I wrote a fair portion of Back to the Moon while workers were jackhammering up my old driveway.  I find it harder to write when I’m in the midst of promoting an earlier work.  For instance, right now I’m writing the second Helium-3 novel which is due very soon while promoting Crater, the first in the series.  It’s tough writing a novel while not certain the one it’s based on is being properly marketed and read.

9.       What’s the most pleasant writing environment you’ve ever experienced?

Time to work makes for a pleasant writing environment and I had the most time available to me in writing Rocket Boys.  The publisher set no hard deadline.  They just wanted to make sure I wrote it the way I wanted to write it.  I savored that and I think it shows in the work.

10.   What are your favorite places to go dinosaur hunting?

Eastern Montana in Garfield County which is the size of Connecticut.  Only about 900 people live there but about 100,000 cows. I called it Fillmore County in The Dinosaur Hunter.  It’s a great place to hang out and hunt dinos.

11.   What are your favorite places to scuba dive?

My early diving career included the awesome wrecks of Cape Hatteras, the vast coral reefs of the Red Sea, and the vivid islands of Honduras.  These days, all my diving is done near our home in St. John, U.S. Virgin Islands, and I love it.

12.   Have you ever combined scuba diving and dinosaur hunting?

No but my diving has allowed me to identify certain mollusk fossils formed during the Cretaceous because, even after 65,000,000 years, they’ve changed very little.

13.   What are your favorite places to meet fans?

Anywhere but I am always thrilled to be on an airplane or on a beach or even in a coffee shop and see somebody reading one of my books.

14.   Where are you off adventuring this week?

This particular week I’m staying home working on Crater2 except to go running in the nearby woods and giving graduation speeches at local schools.

15.   Were you able to see the eclipse this past weekend?

No.  I was so deep into Crater2 I forgot about it.

16.   What are your favorite SciFi terms or inventions that are used by multiple authors?

I don’t know about favorite terms or inventions but my eye and brain tend to get caught on basic errors by many of these writers. They don’t seem to have a proper appreciation for the harshness of space or the technology it takes to keep humans alive within it.  They also don’t understand what happens to the human body in a vacuum.  It isn’t pretty but eyeballs don’t bulge and nobody actually explodes.  A quick tutorial.  Boyle’s Law (pressure and volume vary inversely) applies to gases, not liquids.  That means astronauts get decompression sickness (the gas in the blood comes out in the form of bubbles which is not a good thing) just like scuba divers.  Also, low gravity causes muscle and bone density loss plus weakens the heart.  I account for all that in Crater.

17.   Are there any terms you’ve coined that you’d like to see catch on across the genre?

I don’t know about the genre but I anticipate that miners in space might eventually use some of the mining terms I’ve coined in Crater. “Scrag” is what I call the residue of moon mining and used as a common expletive in Crater.  ”She don’t know scrag,” for instance.  The Helium-3 mines are called “scrapes.”  Piled-up dust is called a “tent.”  Cellular pressure suits are called “biolastic.” Also, the bio-computer that keeps Crater company is called a “gillie,” which is sort of Gaelic for servant.

18.   In your book Crater (Which the Liftport Book Club will be discussing on Monday May 28 at 8:30 pm Eastern Time, 5:30 pm Pacific Time) the moon has a space elevator. What kind of research did you do to write about this technology?

I read some books about space elevators and sorted through the stuff on the Internet.  Eventually, I tried to think through the engineering for myself.  The more I thought about it, the more I understood how difficult space elevators will be to build.  A very good business case will have to be made for them, that much is certain, but the business case is certainly going to be easier on the moon because of its lighter gravity.

19.   I interviewed Charles Justiz, author of Specific Impulse a few weeks ago. Did the two of you know each other while training astronauts at NASA?

No.  he worked in Houston where I think he trained astronauts to fly in those neat little T-38 jets.  I worked in Huntsville and trained the astronauts how to perform science in orbit, how to live in space, and how to work outside to accomplish such tasks as fixing the Hubble Space Telescope.

20.   Who shot first, Han or Greedo?

Han, of course.  It was written that way before the character was fully developed and Lucas didn’t have enough money to reshoot it (and the schedule was also too tight).  We book writers have the luxury of changing a character as we go along and it doesn’t cost anything!

The shortlink for this post is http://wp.me/p1qnT4-Mh

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Felt Tips

Felt Tips

This December, on 12-12-12, I will have my first story published. I’m so excited! It’s a SciFi erotic short called In the Closet, for an anthology of of office-supply related erotica.

Felt Tips is the dream child of Tiffany Reisz. She attracted more than 40 authors to contribute to this anthology which is a labor of love to benefit children who need school supplies.

ROW80

The goals are good. I won’t list them all. I’ve checked off several, and the regular daily stuff is still going strong. I don’t do a thousand words every day, but I do it several times a week. Sometimes I do more!

I’ve critiqued one of Geri’s stories, and I have a couple of others still do do. The most time-sensitive task is to read through and make notes on the Star Trek Phase II script for Bread and Savagery. I’ll be working on scripts and continuity during the shoot at the end of June.

Hope everyone else is having a good round!

News from John

My friend John Quinlan did a whole photo shoot just for romance writers! He has a wide selection of professional images ready for purchase and use for covers. His first cover is Captive Fantasy by Anne Mayburn.

Congratulations John!

The shortlink to this post is http://wp.me/p1qnT4-M9

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SciFi Q of the Day: Cloning Tesla

SciFi Question of the Day: If we could successfully clone Nicola Tesla as an embryo, then an infant, how should he be raised and educated, and by whom?

Google Plus Answers:

  Jenn Thorson  Well, you KNOW Angelina Jolie will be trying to adopt. :)

  Justin Stapleton  My vote would be for Neil deGrasse Tyson, or Bill Nye

  Chris Whissen  I think he should be raised by hardworking average folk. People who believe in encouraging their kids to be themselves, but aren’t going to pamper young Nick. He was great because he worked for it, so I think if he had too many advantages he might not want to work as hard against all struggles.

  Christy Sandhoff  A farmer.

  michael interbartolo  +Justin Stapleton father choices. for mothers Kaylee Frye.

  David Grigg  A genius needs a tough childhood to overcome triumphantly. So, a single mother working for minimum wage.

  AmyBeth Inverness  OMG +Jenn Thorson LMVAO!

I have to go with +Chris Whissen … I think the child should have great scientists as his mentors, but although I believe his parents should be educated, they should also be the kind of people willing to dedicate their lives to raising him (and other siblings?) with love, and encouragement.

…and I think he should have some humanities stuff, like art and music. Not an in-depth study, but enough to let him look at life from a different angle sometimes.

Facebook Answers:

  Michael R. Underwood Raised by Batman. Or Tony Stark. Either way, he becomes the greatest good-guy mad scientist on earth.

  Walt Marinkovits no……

  Pony Horton I was gonna say Jonathon and Martha Kent. If Batman raised him he’d turn out Gay or a drag queen; if Tony raised him he’d be a substance abuser.

(Just kidding!)

  AmyBeth Fredricksen OMG Pony! And what if Tesla was a Drag Queen? I was just saying (on the Google Plus version of this question) that he should have some humanities like art and music in his education… being a drag queen could be the PERFECT outlet for him!

  Pony Horton Tesla… outlet… HAHAHA!

Bonus Answers From Facebook:

It’s after three in the morning, but I finished a 3,500 word story about cloning Nicola Tesla. Now I’m off to bed.

  Juno Suk I’m sure it’s an electrifying read with a tightly coiled plot. COILER ALERT: There’s at least one clone who runs away to the mountains and invents this amazing cough drop, in the chapter titled, “Ricola of Nicola”.

  Pony Horton Just SHOCKING!

  Dan Bressler Sounds like it has potential. Let me know if you encounter resistance from your readers.

  AmyBeth Fredricksen erg

  Daniel Beard sounds like you are getting a bit of resistance to this. Think people need to calm down, meditate a little. Just breathe deep and go “Ohm”.

  Pony Horton Sounds like you were all amped-up, but mind your sleep cycles. I know how you can get juiced by that creative spark!

I would love to hear what you think! Even if you are reading this post a year or more after publishing, I hope you will leave a comment with your own ideas on this topic. (Or add to the long list of puns…)

The previous SciFi Q of the Day is Time Traveler’s Naivete

The shortlink for this post is http://wp.me/p1qnT4-LM

The next SciFi Q of the Day is Multiple Moons.

After reading these answers I wrote a short (3,500 words) story about cloning Tesla, called Potential. I broke it into three parts, here are the links. I hope you enjoy it!

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Interview With Scarlett Parrish

Scarlett Parrish lives in the U.K. in the small corner of her flat not currently overrun by books. She can often be found drooling over James Purefoy or searching for the perfect chocolate bar. She believes most fleshpeoples (except James) are evil and much prefers the characters in her head. On the occasions she ventures out, Scarlett is always accompanied by her BONER—Black Omnipresent Notebook of Erotic Romance. One never knows when inspiration will strike. Sometimes she’ll visit the cinema, alone but for the aforementioned characters. Another favourite pastime is listening to 30 Seconds to Mars and thinking about Shannon Leto’s tattoos. A chronic insomniac, she writes most of her dirty books in the middle of the night and loves to keep her e-reader stocked with erotic romance to occupy her down time.

1.       How much writing did you do before being published?

They say a writer should write 1,000,000 words before they’re worthy of being published, but I don’t think I did that much. I’d certainly been writing all my life, but it was very hit-and-miss, and irregular. But I signed up to do NaNoWriMo in 2008 with no idea of what I was going to write. On the 1st November I started the book that would become Long Time Coming and got my 50k words in that month. I finished the rest of the book in the following few months and the first draft came in at 148k words. I shaved it down to 85k and sold it to the first publisher I subbed it to. Apparently smut is my genre.

 2.       What was your path to publication?

I think the above answer outlines most of it. Before that, I’d written what I’d describe as a mash-up between women’s fiction and chick-lit, subbed to a few agents and got nowhere. No wonder; my writing was crap. I broke all the rules — telling instead of showing, and so on. I think the key is reading a lot, and people-watching. You have to be aware of how people act and why they act that way, to be a good writer.

3.    What has your experience with NaNoWriMo been like?

2008 was the best one yet, because it was then that I started LTC which ended up as my first published book. 2009′s effort became By the Book which is my bestseller thus far.

I bought the book No Plot? No Problem! in early 2008 on a whim and as it was months away from November, I decided to have my own private NaNo from mid-April to mid-May. I got my 50k words in, and that hunk o’ burnin’ mess eventually became — years later – Dark-Adapted Eyes. After a rewrite, once I realised I was an erotic romance author.

4.       Your latest release Dark-Adapted Eyes began life several years ago. What process did the manuscript go through between rough draft and publication?

My own private NaNo, as I’ve said above. I set it aside and after I’d written Long Time Coming, I decided to go back to it. I stretched it up to around 125k, set it aside again, and wrote Plus One. I got distracted by other manuscripts until one day I decided it was far too long. Okay, there are some 125k-books out there, but I knew some of the chapters weren’t necessary and I’d stand a better chance of getting it published if I shaved off a few thousand words. It took reoutlining the book for me to work out which scenes I could afford to lose, and of course I had to paper over the cracks, to the reader wouldn’t see the joins! That process took a month or two.

There were some staff changeovers at one of my publishers, Total-e-Bound, and I decided to see if my new editor there would like DAE. I was wrong — she said she loved it! I heaved a big sigh of relief. Some of the characters in that book aren’t very likeable, but they’re intended as a contrast to the more heroic ones. I hope the readers see that. There is a romance in there, amongst all the violence and the two murders. (Yes, really!)

5.       Do you have a philosophy regarding blogging as an author?

I’m a very irregular blogger. I know I should keep up my web presence, but I’m not very disciplined in that regard. My philosophy when I doblog is to not give away too much of my everyday life; it’s called a ‘private’ life for a reason. That said, I’m not scared to give my opinions on various books and authors. Most of the time I talk about my writing process, that sort of thing.

Some bloggers are scared to express even the tiniest opinion, which I think makes for a very bland read. You can be yourself without being offensive, I think. For every reader you lose, you’ll gain another who agrees with you, so it all evens out.

6.       Why did you choose to use a pseudonym, and why did you choose Scarlett Parrish?

I chose to use a pseudonym because writing is the one thing I do for me, and without going into too much detail, I have a relative who would come after me begging for money if she knew who I was. I don’t earn nearly as much as people think I do, but I know that would happen. Plus, she would claim credit in the sense of “I always supported her and knew she would make it.” So a pen name it is.

Scarlett because what else could a smut writer call herself? Parrish because it just goes well with the first name. It doesn’t mean anything to me; it’s not a family name, a family maiden name, or anything significant. I just thought ‘Scarlett Parrish’ sounded good.

7.       Have you ever met anyone with the surname “Inverness?”

I haven’t. I await that day with excitement.

8.       Have you ever been to Inverness? Is it nice?

The furthest North I’ve been is Dyce, a very small town outside of Aberdeen. It’s the next train stop along from Aberdeen, and the end of the line I was travelling on at the time.

9.       How do you keep busy when you’re not doing writerly-things?

I read a lot. A stupendous amount. I have around 1,000 print books and 650 ebooks so I’m never short of reading material. I socialise occasionally but I’m very much a homebody. I work my way through DVD box sets; at the moment it’s the Stephen Fry/Hugh Laurie comedy from the early 90s, Jeeves and Wooster. It might sound like a boring way to pass the time but I’m a loner by nature and like my own company. When I socialise, I prefer it to be in small groups; no more than three or four people.

10.   Most writers have to produce a completed book before they get a contract. How do you manage to do this the other way around?

Firstly, you have to prove you can deliver a complete manuscript by doing so a few times. After I’d published By the Book, I started to be approached by editors at other publishers asking if I’d consider writing for them. I was flattered by an approach by Total-e-Bound, and wrote them a couple of books.

I’ve recently sold a M/M novella which I haven’t completed yet to Musa. How did I manage it? I shot a few emails back and forth with my editor there and one day said, “Oh, I have this idea for rejigging an idea I had months back. It’ll be M/M, and this could happen, then that.” My editor, Liz, jumped on the idea, and demanded — yes, demanded! — I send her a vague outline/synopsis. The one I sent her was very rough, but I sold the book on the strength of it.

So that would be my advice: write and publish a few complete novels, build a reputation, and you might be able to start selling books on the strength of a synopsis alone. It puts the pressure on, what with deadlines, but I take it as a huge compliment, that people trust me to deliver.

11.   Of all the books you have out now, which is your favorite?

Definitely By the Book. It’s been accused of not being a romance, but it is. I say so, my publisher says so, and my readers say so. Of the three main characters, two start a relationship with the third’s permission. It’s a kind of ambiguous ending, which I like. I don’t like to spoonfeed the reader. I like to leave them some thinking to do.

And Daniel Cross is definitely my most popular character. He gets more fanmail than I do! Not kidding.

12.   I haven’t seen Benedict Cumberbatch in the news lately… is he tied up in your basement?

You may think so, but I couldn’t possibly comment. *innocent face*

13.   What is your favorite electronic or digital writing tool?

My laptop, even if it is very slow. My netbook is more portable, being 75% the size, but I like writing at home, so I’d say my laptop.

14.   What is your favorite non-electronic writing tool?

Good old pen and paper. I collect pretty notebooks; there’s a shop in town which sells them for a pound, and my problem is deciding which one to use. I’m a sucker for a pretty notebook.

Sometimes I’ll splash out on a Moleskine. They’re the King of Notebooks.

15.   What is the most persistent distraction from writing?

Benedict Cumberbatch, who’s currently tied up in my– uh…nothing. I mean nothing. Nothing to see here, madam. Move along.

16.   What is your ideal writing environment? Have you ever been able to create it?

I think I pretty much have it — a laptop in my office. I live alone, so have no disturbances apart from one noisy neighbour who likes to play the same songs over and over. If only it were legal to kill him, then I’d be set.

17.   Do you have any of the proverbial “stories in the back of the drawer that will never see the light of day?”

I’ve recycled some earlier manuscripts which were rubbish, to put it mildly. The first vampire novel I wrote, at the age of eighteen, became A Little Death. Another, Rain, is currently on its way to becoming a BDSM-lite novel. So I’d have to say no, none of my earlier works are completely deleted. I’ll recycle them now I have the mad skillz to do so.

18.   Would you ever consider putting out a book that had no sex in it?

Yep. I would. At the same time, I wouldn’t ban sex from a book if it needed to be there. I’m definitely all for going the agent/traditional publishing route in the future. I see no reason why sex shouldn’t feature if it needs to, but at the same time, I’m not opposed to a sex-free book, by any means.

19.   Does your publisher change the cussing in your books so that it is appropriate for the country in which the book is being sold? Do most of your characters curse UK style, American, or something else?

They try to, but I put my foot down. If a publisher says, “American readers wouldn’t understand this,” I counter with “A British person wouldn’t say this.” You have to find a compromise. Usually it involves me saying, “In context, the reader should understand what the character is referring to.”

In one book, I have a character referring to another’s ‘bangs’, which I now regret allowing to be changed. A Brit would never say that; we call it a ‘fringe’. But, at the time I just wanted my edits dealt with and let it pass. I don’t think I would, nowadays.

Interestingly, in one story, Burn (published by Musa), I invited my editor to insert American swear words when it came to the main character, whose nickname was Texas. He’s American, I’m not, but I wanted him to sound authentic.

But I won’t let an editor put American words in a British mouth.

20.   Who shot first, Han or Greedo?

I have absolutely no idea what that means, so I shall now go hide in a cave, where the un-cool people go. Every so often I’ll throw out a completed smutty manuscript and hope that goes some way toward atoning for the fact I’ve never watched a Star Wars movie all the way through.

The shortlink to this post is http://wp.me/p1qnT4-LC

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Quickie

No musing blog post this time, just a quick “How’s it going?” for #ROW80.

Goals are good!

Tonight I’m working on finishing my last proofreading assignment before I turn in my resignation.

I’ll be concentrating on the Pangalactic Sojourners series for now, since it has sparked some interest.

All the regular blog stuff is as steady as ever.

The biggest still-unfinished commitments are critiquing for Geri, and studying the Bread and Savagery script for the Star Trek Phase II shoot in June.

The shortlink for this post is http://wp.me/p1qnT4-Lz

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Yeah, Write.

“Just write the best book you possibly can.”

That’s the advice we hear over and over, and at its heart, it is very true.

However…

Yeah. That’s a big however.

Don’t write less than 50,000 words and expect to market it as a novel. This would be a novella, and the market is different. Don’t make it too long either, that’s even worse.

Publishers want to categorize your books. If one main character is middle grade but the other is a teenager, your story might be lost in limbo.

If your story is faith-based, keep the heat level “warm.”

Don’t mention a character, even a minor one, engaging in any kind of sexual activity before age 18.

Don’t mix genres. Make sure your story can be clearly categorized.

And the list goes on…

There are exceptions to every rule. In fact, one could successfully argue that the best stories break most of these rules. However, if your goal is to publish your story, there are a lot of customary and accepted guidelines that aren’t necessarily listed or written anywhere. Yet a new writer who is wading into the waters for the first time begins to learn these unwritten rules one at a time.

Screw the guidelines. Well, maybe not…keep them in the back of your mind. Realize that simple things like the age of a character or the word-count of your story can greatly affect the marketability of your book.

Damn the torpedoes, full speed ahead! I’m going to write the greatest 49,000 word faith-based Steampunk erotica the world has ever seen!

The shortlink for this post is http://wp.me/p1qnT4-Lv

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