I’m not doing a complete update post today, because I’m sick and my brain is not fully functional.
But today is the day.
Ash Wednesday.
The kids went back to school.
This is the day I go back to Jubilation of the Southern Cross for revision one!
I’m not doing a complete update post today, because I’m sick and my brain is not fully functional.
But today is the day.
Ash Wednesday.
The kids went back to school.
This is the day I go back to Jubilation of the Southern Cross for revision one!
This has not exactly been the most productive week. I’ve been playing Dungeon Keeper, an old game that is highly addictive. It’s James’ fault. He gave me the link to a website offering a free promo download, not knowing what effect it would have on lil’ ‘ol ODC me.
Bah.
Video games aren’t the only reason I’ve been unproductive. We took a mini-vacation with the kids last week, which was great, but it also derailed the writing.
…except that the writing had already been derailed. I’ve noticed a trend in my work…when I’m about 80%-90% done with a novel, I stall out. I might know the ending, but getting the last few bits that lead up to the ending is torture.
A couple of weeks ago (has it been that long? eep!) I wrote a skip-ahead scene that I knew would be the end of my WIP. Spoiler alert…I knew it involved killing off a character. (Not total spoiler. I foreshadow that all the way through the book.) I’ve written skip-ahead scenes before. In fact, I just finished one. I don’t put them into my main manuscript; I type them into my ‘notes’ file and then copy/paste them into the manuscript when I reach the right point.
But this wasn’t a typical skip-ahead. It was a skip-to-the-end. And in the past two weeks I haven’t gone back to fill in what happens in the meantime. I think it’s more than just my usual I’m almost done and I don’t want it to be over issue. Killing off this character was really hard for me. Part of me wanted to keep the character alive and living out the HEA, but that would leave nothing to happen to the other characters in the books that follow. His death is kind of an inciting incident in this concerto.
Jane has no trouble torturing her characters. She delights in it. For me, killing this character left me emotionally exhausted. I haven’t gone back to finish the last 10% of the book yet.
I need to do that soon.
What would your sleep schedule be like if the demands of life allowed you to sleep whenever you wanted as long as you wanted?
Does anyone else agonize over killing off a character, or it is just me?
I have a lot of writer friends. A lot. Like, easily into the hundreds. Although most of these are people whom I’ve never met in person, we still interact regularly via social media. I do get to see people in person every once in a while, either locally, or when I go to conventions.
One question that should go unasked between writers is “Have you read my work?” The reason being, most of us would not possibly be able to read everything all our friends write, no matter how much we might want to. The best answer, when it is awkwardly asked, is “It’s on my ‘want to read’ list!” AKA the TBR: To Be Read.
I read Jane’s books. Because I want to. Because not only do I enjoy the fantastical aspect of angels with a Russian twist, but because the inter-personal relationships are compelling and complex. I read the novels because I enjoy them. I read them because they influence my own writing in a positive way.
Jane puts her angels through hell. I had to take a break from writing the other night because I wrote the long-awaited scene where a main character dies. Jane loves to torture her characters. I have pangs of guilt when one has a hangnail.
A while ago, I won a free e-book from an author I follow. They’re popular, and although I like their style, I haven’t actually read anything of theirs. I was rather surprised to win the book, since I hadn’t entered any contest. It turns out, she did a random drawing from people who follow her on twitter. I’ll add the book to my TBR list.
A few weeks ago, Jane’s novel The Prince of Tricks was released. I bought it for my nook as soon as it came out. I also have her House of Arkhangel’sk trilogy on my nook, which I love! To celebrate the release, Jane had a little party on her facebook page.
I was all over that party. I was commenting, I was giving my two cents worth on every opinion offered up. I pissed several people up when my own image of Belphagor differed from their own…
And I was thrilled…T-H-R-I-L-L-E-D when I won autographed copies of her Arhangel’sk trilogy! These books weren’t just tossed my way…I wanted these. And the fact that Jane signed all three sent me over the moon! She even signed the first one in Russian (of which both Jane and I have some familiarity, though neither of us is fluent.)
Jane Kindred was my fourth interview on this blog, back in 2011. Although we live on opposite sides of the country, she is high on my list of writer-friends-I-really-want-to-meet-in-person-someday.
And now, I won’t have to worry about that awkward “can I have your autograph?” moment. But I’m still planning on the “can I get a picture together so I can plaster it all over social media and prove I actually me you?” moment.
I just wrote a wedding scene. The story is romance…SciFi Polyamorous Romance, to be specific. But this doesn’t mean I’m almost done with this WIP; this story still has a ways to go.
I admit I have a fondness for romances where the wedding happens early on. Marriages of convenience, arranged unions and the like can be very romantic. You also have the advantage of getting to the sex sooner, but I digress…
One of the first Kingdom Come stories I began to write was about the arranged marriage of the Duchy of Drakeshead, on the western edge of the Kingdom. I focus on Charity, the Violet Duchess. You may have seen her on the blog before; I interviewed her once, and she appears in several stories in Under Loch and Key.
I was writing this shortly after giving birth to my youngest child, adding handwritten chapters to a journal as I used the breast pump. (Yeah. The breast pump did something fun to my hormones.) It’s quite steamy… a traditional political marriage on Kingdom Come forms an oligarchy of four men and four women. I have a spreadsheet that tells me how their honeymoon week functions. For seven days, they are paired with a different spouse, which forces the eight of them to have exactly one day and night where they get to know each spouse. On the eighth night, they’re all together. Of course, by then, they’re also all probably very tired.
I never finished Charity’s story, but it flavors many things that happen in the other stories. Her wife, Royal, (the White Duchess of Drakeshead) knows that Charity is disappointed that she’s still not pregnant several months after their wedding. (Royal gets pregnant on their first honeymoon night, with the Red Duke.) Royal asks Charity and one husband to accompany her on an extensive business trip, which is her sneaky way of helping her wife, Charity, get what she wants. Charity and Forest (BTW…he’s one of my Christian Slater characters) have plenty of free time on the trip, and by the time they come home again, Charity is happily pregnant.
This trip is seen in Allergies as Royal scouts out prospects to fill the positions of Counts and Contessas in the duchy. I haven’t rewritten that one yet… it head-hops badly. But I might keep Royal as a POV character, even though I usually reserve POV for main characters who end up in the HEA.
I digress. A lot. Woah… I’ve just rambled horribly.
Time to cut bait and skip to the goals:
The good news… The Garden of Eden anthology is out on Amazon, and it’s only 99 cents for now! It should be out on Nook and other outlets soon. My short story The Genesis of the Incorporeum appears in this anthology of weird speculative fiction.
I’m struggling this week. We’re four weeks into the semester, which means I’m grading papers, which I loathe. I want to just assume that my lectures are so brilliantly inspiring that all my students will breeze through all the assignments, armed with the skills I imparted to them through my delightful lectures and carefully chosen homework.
Alas, tis not so. Every year, my students find new mistakes I never knew were possible. Fortunately, this semester I have a pretty good group of freshmen. (I teach spreadsheets and databases, AKA Excel and Access to college freshmen every spring, and I have done so for many years.)
The exciting bit this week is Friday’s release of The Garden of Eden anthology from Garden Gnome Publications. I was excited about this antho the first time I heard the editor, Allen Taylor, suggest it. There will be a series of anthologies, each with a different theme. They are all Speculative Fiction, not Inspirational Fiction, and they’re classified as “weird fic” which is right up my alley!
I was inspired by watching Ancient Aliens (my guilty pleasure) as well as by people’s propensity to say “I can’t explain it…it must be a ghost!” …or aliens, or something paranormal.
All totally possible in my view.
Just not very likely.
So I made up something else to blame it on: incorporeal time travelling creatures that are not aliens…they are of earth, but since they’re incorporeal, humans do not know they exist. And they can be blamed for OH so many things…
So that’s on my mind, as well as the fact that the deadline for the next antho is coming up and I really want to be in it again with another story about the incorporeum. Then there’s the WIP, a novel I took off the shelf and split into five separate novels…
I’m slogging through the WIP at the moment, which is dangerous because, if I’m slogging through writing it, the reader will slog through reading it, and might stick it on their DNF (Did Not Finish) shelf. My main problem is that I had a day or two of business that kept me away from writing, right after I’d been on fire and cranked out a lot of words in several days. When I went back to it, I wasn’t on fire anymore. I’m at that stage in the book where a few specific events will happen, and then it will be over. I know I don’t want it to be over…I don’t want to put it down. But I do want to finish.
Have you ever had a story published in an anthology? Did all the writers get involved, not just with the promotion, but in getting to know each other at least beyond a name and a headshot? I’m curious. I’ve seen friends tweet about how great their antho mates are, and I’ve seen others act like complete strangers.
Not that one, though I love him so. I grew up with Bloom County. And playing the cello.The musical opus… a musical composition or set of compositions usually numbered in the order of its issue according to Merriam-Webster.
Or maybe symphony would be a better analogy…a long piece of music that is usually in four large, separate sections and that is performed by an orchestra.
Even better, perhaps, is concerto… a piece for one or more soloists and orchestra with three contrasting movements. That feeds into the fact that the analogy I’m making is to a set of books, each of which has a different main character.
A composer does not create and release a symphony one piece at a time, hoping that the audience will like each bit before he can move on to the next. A composer creates the entire work, as a whole, and then it is released…performed for the patrons and adoring crowds.
A writer doesn’t have that option. Especially an author like me, who’s just starting out. We query an individual book, and we hope to sign a contract for that book, and maybe it will even be a two-book deal.
The exception, of course, is the self-published author who can decide to put out one novel in 50 separate chapters, or release their 12 volume magnum opus as a single PDF file. But I digress…
I have two books sitting on the shelf, awaiting Lent, when I shall do the first round of edits. They will be queried when I’ve done at least two or three rounds of editing and rewriting.
Meanwhile, the book I took off the shelf to work on has turned into something I really like. It’s not a story of boy meets girl, they like each other, have a few issues, then eventually have a happily ever after. It’s polyamorous, so boy meets girl who meets another…etc. But it’s even more complicated than that.
Complication is necessary to good fiction, but it can easily go too far and leave the reader lost or bored. My WIP (Under the Radar) is a story in which the characters’ young adult lives (and to a small extent, their childhoods) affect the main romance in the book, which occurs in their late 30’s (measured in Earth years.) The rough draft was 90k of their young adult lives, which is, honestly, mostly just exposition for most of them.
After splitting The Jubilation of the Southern Cross and Hearthsong into two novels, I decided to do the same for Under the Radar. It worked perfectly. But whereas JSC and HS take place over the course of a few months, one immediately following the other, UTR covers years of the characters’ lives.
It’s like a symphony. JSC is a scherzo. It’s a rapid, somewhat humorous story in triple time. There are three main characters. HS is an allegro, where several more characters are added to the first three.
UTR is five books. I think concerto is apt…because each one concentrates on a different character, or soloist. The only books that are simultaneous are #1 and #3. At that time, the main characters are completely separated from each other. Book #2 focuses on the character who is slightly older, and tells more of the backstory. Book #4 is the main climax, bringing them back together, but without the satisfying Happily-Ever-After. They only get a Happy-Enough-For-Now. Book #5 delivers a twist and the Happily-Ever-After.
Following different characters is not the only difference in the books. They each have a very different tone. To use an example from the traditional romance-writing world, I know that a novel written by Stephanie Laurens will have a certain level of steam in the relationships. A novel written by Debbie Macomber will have less steam, and more sweetness. Anything written by Tiffany Reisz will curl my toes. The five UTR books each have a different heat level. In one, the main characters decide to postpone their sexual intimacy. In another, the main character is studying to be a companion.
I love the different ebb and flow of the books. It is working out very well. I think the overall story is being told in an interesting way, with some of the backstory happening in flashbacks, and some simply alluded to. Although each book is a complete story, not every volume ends with a satisfying Happily-Ever-After. This is a problem in the world of Romance novels, where the Happily-Ever-After is a requirement of the genre. And although each story is complete, there is a sense that this is only one part of a greater story. I hope the reader feels that they want to keep reading, and doesn’t feel cheated.
One way to ensure they don’t feel cheated is to release the symphony of books all at once, or at least very close together. Since I have to write them all at the same time for consistency’s sake, going back and forth to change things in a previous book when I have a revelation in a later book, this is a feasible plan from a writer’s point of view.
The problem is, most publishing houses won’t want to take a risk on a five book series from an unproved author.
Fortunately, I’m not planning on UTR being my debut work. JSC and HS come first…maybe under the title Brave New Whirl. Then there are a couple of others that should come next, especially since the main character of UTR #5 is a secondary character in The Scar.
Let’s hope the first novels do well. Because Under the Radar is a story I really want to share with the world.
Oh crap…
Now that I’m writing this, I’m starting to outline The Coward of the County which belongs in a symphony with The Scar. Eep! Too much! Too soon! Slow down my OCD brain!
For those who are curious, the five books that make up Under the Radar are:
Now, before I finish the rewrites on these, I have to go back and re-read Tiffany Reisz’ Original Sinners series. Firstly, because one of the book uses significant flashbacks to tell the story, and secondly because Tiffany makes us hate a character and then love him in…spoilers. My original idea for UTR was to take every horrible (not abusive, just bad) thing any guy I’ve known or my friends have known and put those things into just three different guys. Well, it ended up being two guys. I want the reader to initially think the worst of them, and then come to love them. Tiffany does so eloquently, sneakily, and thoroughly. I hope I can do the same.
Skip down to ROW80 with me!
I’m a teacher. Other than being a mom, that’s my day-job. Over the past thirty years, I’ve taught a number of subjects.
My first experience at teaching came at age twelve when I started helping my mother teach Scottish Highland Dancing. I continued teaching with her through the years, taking my associate’s exam at age sixteen, and my full professional exam when I was twenty-four. We taught together and separate (depending on where our lives were) until she retired and moved away a few years ago.
When you teach something for many years, you notice that students tend to make the same mistakes. In Highland Dancing, many students who learn the Crossover Step in the Highland Fling spontaneously add a turn to the end. There’s a reason for that…the first step they learn (First Shedding) is a series of movements, ending in a turn, that lasts four bars. You do it once starting with the right foot, then again starting with the left foot. The next step most dancers learn is Toe-Heels. Again, it’s a series of movements, ending in a turn, that lasts four bars. Again, you do it once starting with the right foot, then again starting with the left foot. The Crossover Step is a series of movements that lasts two bars. You do it on the right, then the left, then the right, then the left.
If you did the math, you’ll notice that each step is eight bars long. So, why would students automatically add a turn to the end of the Crossover Step? Perhaps it’s because the first two steps each had a turn at the end of the pattern. The point is, for decades, I’ve seen many dancers make the exact same mistake when learning the step.
This morning I taught a class in spreadsheets to college freshmen. Other than taking a few years off when my youngest child was born, I’ve taught since 2002. I always give very specific, very easy homework the first week. The point of the assignments are to get students used to how assignments will be given and turned in. The following scenario happens almost every semester:
Me: Does everyone understand “A” now?
Class: Nodding and smiling the affirmative.
Me: Did anyone have trouble with “B?” Would you like me to go over it again?
Class: Indicates they do not need to go over “B” again.
Me: And “C?” Does everyone have “C” complete?
Class: Nods and smiles.
Me: Great! Now please put A, B, and C together and turn them in.
At this point, most of the class nods and smiles and turns in a finished product. A few people say “I have A, B, and C, but I’m not sure how to put them together…” and I help them. This is the core of the class; finding where students have a gap in knowledge and filling it in.
There are always a few who say “What? You want us to turn it in?” then they fiddle around for a little bit. “Umm…what was “A” again? And I don’t remember you saying anything about “C…”
This scenario is so predictable that I have built in homework assignments around it. The reason most of the class was able to combine and submit A, B, and C in less than a minute is that the actual work was ridiculously easy. So easy, that some students simply chose not to bother doing it. My intention is that, with this revelation taking place early in the semester, the students who planned to blow-off their homework will realize that their lives will be much easier if they simply do the work as it is assigned.
Three years ago, I got serious about my writing. I wrote an entire novel with a beginning, middle, and end. I researched what agents might accept my genre and theme. I established relationships with other writers, and became a student of “how to become a published author.”
Most students, like me, make certain mistakes. I avoided sending my unedited NaNoWiMo novel to an agent on December first. I knew better. (Some don’t.) But I did have way too many exclamation points. I also head-hopped. In fact, one of the first stories I put up on my blog, Undone Fantasy, shows this. I left the story up anyway…it’s a story I love, and a good example of what my writing used to be like. I might someday put a revised version up in addition to the old one.
I’m currently fighting a mistake that many people make, not in dancing, or spreadsheets, or writing specifically, but in life.
The mistake of never actually trying.
I’ve come far in three years. I have several stories published in anthos and magazines. I have another story coming out in an antho soon, and I was paid for it. (Something all the previous ones did not do.) But I have yet to send a query for a novel in my name.
This is in the plan. Not a vague ‘sometime’ goal, but specifically that novel will be The Jubilation of the Southern Cross which is currently resting on the shelf. That rest period is necessary. I can’t edit right after finishing (I finished in December) because I can’t see the forest for the trees. On March 5 (Ash Wednesday) the day my kids go back to school after their early spring break, I will take JSC off the shelf and revise it. I’m not sure how long that will take…and I can’t overthink it right now because one of my ROW80 goals is to NOT think about it…but it will probably take a few weeks. I’ll do Hearthsong at the same time, since the stories are a pair. By Easter, I should be able to send them both to beta readers. The timeline after that isn’t as specific, but I will read through my Beta’s comments and do a re-write. I might also write a third book to go with them. Then the book(s) will need a trustworthy editor for a final check. I have a friend who is very good at this, but if she’s not available I might shell out some bucks to have it professionally done.
When the book is as polished as it can be (before the publisher/editor polishes it even more) I will either send a query to the #1 agent or I will see if the agent has a class coming up where she would read the first few pages and give me feedback. I might submit the story to a contest.
And we’ll go from there.
The ROW80 Goals for the week:

by Relando Thompkins, MSW, LLMSW: Servant Leader, Teacher, Learner, Social Change Agent. Writings on Diversity, Inclusion, Equity, Social Justice – See more at: http://www.relandothompkins.com/2013/12/22/but-i-married-your-mother-anyway Image used with permission from the artist. (Thank You!)
When did Hollywood stop giving new television shows a chance to breathe and gain an audience before killing them after only a few episodes? I understand they need to make money, but their first priority should be to make a good product, and their second priority should be to support and develop that product, using a reasonable allowance of time and resources.
As an author who hopes to publish not just one novel, but several (many?) this scares me. I understand that there needs to be a hook in the beginning of the book that keeps readers turning pages. I can do that. And to get people to buy the next book? And the one after that? Aye, there’s the rub.
There are countless anecdotes about people who fell in love with an author because they read the 2nd or 3rd book they published. Then the reader went back to see what they might have missed. Imagine if the publishing world worked like sit-com world. Whip-cracking exec says “This thing had better pay big dividends, and quick, or we’re killing it.”
Then again, maybe it is…
~shudders~
One of my most eye-opening lessons as a twenty-something in my first job was that there are all kinds of people out there in the world with all kinds of values and mannerisms. (I worked in telephone customer service, taking calls from all over the U.S.A.) This lesson continues to be an integral part of my writing. But I can’t pack the plethora of human diversity all into just one novel. Well, maybe I could, but it would be awful. To truly present a diverse array of humanity, I need to write not just one, but many stories.
One goal of my Pangalactic Sojourners series is to have one of the main characters have a different sexual orientation in each book. There’s so much beyond straight, bisexual, or gay! Human sexuality is as diverse, if not more diverse, than human cuisine, language, or religion. So coming up with a different character for each story is no problem.
The Kingdom Come books, which is what I’m currently working on, are polyamorous. That also means they encompass a diverse array of human sexuality. They assume that everyone is on a spectrum between very hetero and very homosexual, but that’s only one aspect of the spectrum.
I’m currently splitting up Under the Radar into several books. A number of relationship combinations are represented:
All the above examples describe pairings (and I didn’t list them all), but the society is polyamorous. Imagine how complicated it becomes when some of the above relationships are combined! And then there’s the delicate subject of a married couple or group deciding to date another group, couple or single. The complications expand exponentially.
This is why Under the Radar is now several books, not just one.
As planned, there will be several other Kingdom Come books that come out before Under the Radar. Each of those stories has their own array of genders, loves, and paths to a Happily Ever After.
Hopefully I won’t fall victim to the curse of the short-lived series, because these diverse stories all deserve to be told.
Biblical Ancient Aliens
I’m not about to quit Ancient Aliens. I love this show! What I thought was just an interesting two-hour documentary turned into six seasons (so far) of episodes. For a SciFi author, this show is inspirational gold. I’m especially fond of their way of saying “Could (insert some wildly implausible theory) be true? YES!” They don’t say “Is this true? YES!” They very carefully use the words “Could this be?” with every claim.
“Could this be?” is an excellent starting phrase for a SciFi author. This doesn’t mean we strive to predict what will happen or what scientific discoveries will prove to be true. It is our job to put forth as many plausible (and even not-so-plausible) scenarios as possible.
I have several ‘universes’ I write in. My Lunar Shorts are in a very plausible near-future on the moon. My Victoria Pontifex series is set in a re-imagined Steampunk Victorian era. My Kingdom Come stories are about a thousand years in the future on a human colonized planet, with no mention of aliens. I have another universe (tentatively titled The Joined) that deliberately presumes opposite rules from the Kingdom Come universe, including a plethora of aliens for humans to interact with.
My most recently published story is The Genesis of the Incorporeum in The Garden of Eden anthology from Garden Gnome Publications. This story began with the question “Could it be ____?” On Ancient Aliens, the answer is “I’m not saying it was aliens, but…IT WAS ALIENS!” On Ghosthunters, anything they can’t explain in “possible paranormal activity.” For some people, the explanation for mysterious happenings is angels or demons.
I came up with the Incorporeum to give yet another explanation. The Incorporeum are incorporeal creatures native to Earth. They’re not ghosts. They’re not aliens. They live symbiotically with human hosts, but they aren’t constrained by linear time. (I did something similar in my serial novella Synaesthesia, where the humans become incorporeal in order to travel in time.)
The Incorporeum were there in The Garden of Eden, and I’m now working on my story for the Incorporeum’s view of the destruction of Sodom and Gomorrah.
I’m guest-blogging over at Garden Gnome Publications next week, talking about the Bible as literature. If you’re coming here from there, and you’re wondering about whether I can indeed recite the minor prophets from memory, here it is: